Intercultural Design/GCD61304

Intercultural Design

GCD61304

1/2/2025--21/3/2025 (W1-W7)

LIU CHENG RUI  (0370930)

 GCD61304/Intercultural Design/ Bachelor of Design (Hons) in Creative Media / Taylor's University


TABLE OF CONTENTS

-Lectures

-Instructions

-Task 1

-Task 2

-Task 3

-Feedback

-Reflections

-Resources

Lectures
Visuals are powerful persuasive medium to provide most of our information about the world.

1.Everything that can be seen.
2.Everything produced or created by humans that can be seen.


Fig1.1 Visuals example

Tattoos
Sailor Tattoos
From the sailor's hands to his feet, the symbols tell the stories of journeys made along the open water.
Fig1.2 Sailor Tattoos example



Japanese Tattoos
Traditionally, Japanese tattoos began as a means of conveying societal status, as spiritual symbols, as a sort of charm for protection as well as symbolizing devotion, not unlike modern religious tattoos.

Fig1.3 Japanese Tattoos example



Design Significance and the Design System

Fig1.4 Design significance

Fig1.5 Design System example 

Fig1.6 Design System example 

Cultural Sensitivity Awareness

1.Symbolism and Imagery:
Certain symbols and images may carry different meanings in different cultures. Designers should be mindful of potential cultural interpretations to avoid unintentional misunderstandings or offense.

2.Typography and Language:
Choosing fonts and text styles that are culturally appropriate is important. Additionally, considering language variations and ensuring accurate translations is crucial for reaching diverse audiences.

3.Color Considerations: 
Colors can have cultural significance, and their meanings may vary across different societies. Understanding the cultural associations of colors can help designers make appropriate choices.

Addressing Cultural Sensitivity

1.Inclusive Design:
Designers should strive to create products and experiences that are
accessible and inclusive for people from various cultural backgrounds, including those with different abilities and needs.

2.Localization:
Adapting designs to specific cultural contexts through localization can enhance the relevance and acceptance of a product or service.

3.User Research:
Conducting thorough user research, including ethnographic studies and user testing across diverse groups, helps designers gain insights into cultural preferences and behaviors.

4.Cultural Awareness Training:
Design teams may benefit from cultural awareness training to develop a deeper understanding of diverse perspectives and sensitivities.

Instructions



Task 1 Proposal
Requirements
The general theme is “Everyday Design
- Everyday design refers to the observation and analysis of design elements that are seamlessly integrated into daily life. These designs may not be iconic or extravagant but play a crucial role in shaping the cultural and functional aspects of society. For your project, students can explore how design influences and reflects 
Japanese culture, behaviour, and identity through commonly encountered objects, environments, and systems.
- Produce some preliminary ideas on how to visually express your interpretation using design language. Each idea is to be supported by a short rationale. Conduct visual research to help expand your idea generation.

process
week1
In the first week of the course, we met Mr.Mohd, the teacher in charge of our module, introduced us to other lecturers, and then told us some task requirements and basic information about this module.

The most important thing is that Mr.Mohd explained to us the main content and requirements of task1. Our Design theme is "Everyday Design", but we are not limited to Japanese culture, the cultural choice can be any country.

Courseware for the first lesson

week2
In the first week, we already had our own group, so in the second week, we discussed the design topic online. At first, we wanted to study Korean culture, but due to various factors, we changed our thinking and turned to study Malaysian culture.
Our group's first thought was to make a deck of cards about Malaysian traditional culture.

Fig3.1 Reference picture

But other groups had already chosen the theme, so we had to come up with new ideas, which included making an electronic bus pass with Malaysian cultural features and a cup holder for drinks.

So we designed a lot of sketches about the cup clips.

Fig3.2 Sketch 1
Fig3.3 Sketch 2

After that, we began to focus on making our PPT.

week3
In the third week, we had a discussion with our lecturer, Mr.Charles. Mr.Charles thought that our idea had already had a concrete object, so there was not much to design and it was a little boring, so he suggested that we turn our attention to other places. Therefore, we thought that the initial design of the cup clamp was designed for the influence of Malaysian food culture, so we finally chose to study Malaysian food culture.

Presentation slide

1.Research content
Mainly based on several representative Malaysian food characteristics.

After discussion and communication, we choose Mamak and other Malaysian food culture as the research direction. In order to have a deeper understanding of this topic, we also define specific research questions and research objectives, such as the origin of Malaysian food culture and the hope that more people in the world will know and love this culture through this research.

2.Describe the research content
Malaysia's food culture combines diverse Malay, Chinese, Indian and Middle Eastern influences to form a unique culinary tradition. Its development stems from historical trade exchanges and immigrant integration, resulting in specialties such as Nyonya cuisine and Malaysian Indian cuisine.

The main carriers of catering culture include:

Mamak (Indian Muslim Restaurant) - Open 24 hours, it is a symbol of social and night market culture.
Hawker Centre - a collection of stalls to showcase a variety of cuisines.
Kopitiam (Traditional Chinese coffee shop) - a social space with classic breakfast and snacks.
Warung (Malay Food stall) - offering traditional Malay food, carrying village food culture.
Food culture not only affects daily life, but also promotes ethnic exchange and social cohesion. In terms of festivals, the traditional festivals of different ethnic groups revolve around special food, such as Rendang for Eid al-Fitr, Lo sang for Chinese New Year, and banana leaf rice for Deepavali.


presentation video


TASK2 Field Study(Data collection)
week4
Today was not a class day, so we went to the Tschang Street and Sunway areas to collect data on food culture, such as Hawker center, Mamak, Warung and Kopitiam.

Fig4.1 Photo of Tschang Street

Fig4.2 Photo of Tschang Street

Fig4.3 Photo of Kopitiam

week5

This Sunday is the deadline for Task 2. After class on Friday, we asked Mr. Charles about Task 2. Mr. Charles asked us about our observations and confirmed our data. Besides, Mr. Charles also asked us about specific matters such as the culture of each restaurant, the attitude of the waiters, the differences in the customer base, etc. After listening to Mr. Charles' suggestions, we changed the PowerPoint content and recorded the demo video.

Data collection slide

Demo video

TASK3
Final Project
week6
There are no offline classes in Week 6 as we prepare for the final project.


week7
Our final project required making a video and uploading it to TIKTOK.

I'm in charge of the audio and sound parts, and video production requires a lot of different styles of audio and sound, but our videos tend to be more realistic.

Here's the original audio I found, which I divided into four sections based on location and scene.
Fig5.1 Different audio categories



After making the first version of the video, I re-adjusted some of the audio because I needed more realistic audio to reflect the scene.

Fig5.2 Adjusted for some real audio


In addition, we have decided to change the user name and avatar on the Tiktok page to complement more content we will be Posting. We decided to choose "Daily Sedap" as our new username, "Sedap" translated in Malay as "delicious" in English.
In this way, our Tiktok page will become more in line with our research subject, and its recognition will be enhanced.

Fig5.3 Tiktok page -Daily Sedap


This is our final presentation slide

Final presentation slide

Final project recording

Final presentation slide link:

Final project recording link:

TikTok page link:

Final Project link:



Feedback
week3
In the third week, we had a discussion with our lecturer, Mr.Charles. Mr.Charles thought that our idea had already had a concrete object, so there was not much to design and it was a little boring, so he suggested that we turn our attention to other places. 

week5
Mr. Charles asked us about our observations and confirmed our data. Besides, Mr. Charles also asked us about specific matters such as the culture of each restaurant, the attitude of the waiters, the differences in the customer base, etc. 


Reflections
Findings
In researching the traditional Malaysian food culture, I discovered that food is not only a part of daily life, but also an important symbol of cultural identity. Whether in the Malay, Chinese or Indian communities, each traditional food has a unique story, festival customs and cultural significance behind it. In addition, I have found that the colors, shapes, and presentation of many traditional foods have connotations of auspice, respect, or gratitude, and these visual elements provide rich inspiration for cross-cultural design.

Observations
I have observed both differences and blends between the traditional diets of different ethnic groups in Malaysia. For example, the use of spices in food and the way of decoration show their own cultural characteristics, but on some festival occasions, different ethnic groups will share food with each other, reflecting the tolerance and harmony between cultures. I have also noticed that many traditional foods are oversimplified or commercialized in modern design applications, which has made me more aware of the need to balance cultural authenticity with contemporary aesthetics in design.

Experiences
In this project, I have accumulated in-depth research experience, including field interviews with vendors, participation in traditional markets, photographing food details, and understanding the stories behind food through interviews. I learned how to turn research data into design inspiration, especially drawing on traditional elements in color and pattern design. At the same time, I also experienced the importance of teamwork, people from different perspectives to help me constantly improve ideas. Most importantly, I learned how to respect and present a culture in visual language, rather than "using" it superficially.


Resources

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